
Barbara Blumenthal-Ehrlich
Title of Play
Still Life
Date and Place of Reading
July 29, 2009
Manhattan Theatre Club Creative Center
New York City
Access the Play
Director
Lewis Magruder
Cast
Todd Lawson–Donald
Sherry Skinker–Lydia
Bonna Tek–Stage Directions
Lauren Weisman–The Photographer
Awards/Recognition Post Broad Horizons Development
World Premiere: Forward Flux Theatre, Seattle, WA, 2015
Publication: 2016 Best Stage Monologues, Smith & Kraus
Readings: Theatricum Botanicum, Central Square, Artemisia, GeVa Theatre, Urban Stages, Capital Stage, Long Beach Playhouse
Awards: Israel Baran (winner), O'Neill Theatre Conference (semi-finalist), Princess Grace Playwriting Fellowship (semi-Finalist), NuVoices (semi-finalist), Bay Area Playwrights (finalist), Phoenix Theatre (finalist), Landing Theatre (semi-finalist), Centre Stage, Greenville, NC (semi-finalist)
About the Playwright

A 2024 NEA-funded joint commission from Del Webb Center (AZ) and Vivid Stage (NJ). A 2025 recipient of an Individual Artist Grant Fellowship from NJ Council of the Arts. Founding member, NJ’s Swan Dive Theatre Collective, devoted to advancing the work of Women+ artists. Produced off-Broadway, internationally, and nationwide in NYC, Seattle, Boston, Chicago, San Francisco, L.A. NYC development at Playwrights Horizons, Second Stage, Rattlestick, Roundabout, Urban Stages; regionally at The Kennedy Center, Actors Theatre of Louisville, Geva, Victory Gardens, Palm Beach Dramaworks. Winner: Beverly Hills Theatre Guild Julie Harris Playwriting Award, the Israel Baran Award, and a runner up at the Sundance Playwriting Lab, O’Neill
Playwrights Conference, Bay Area Playwrights Festival, the Heideman Award and Princess Grace Fellowship. Other honors: nominated for Edmonton’s Elizabeth Sterling Haynes Award, the Susan Smith Blackburn Award and honorable mention, The Kilroy List. Published by Smith & Kraus and Applause.
About the Play
Lydia’s daughter hasn’t returned home since a series of subway bombings in an unnamed city. Now Lydia’s forced to wait for the news with her annoying son-in-law, Donald, and a mysterious millennial photographer who won’t stop following her. A dark comedy about maternal impotence in a terrorist age.